![Picture1a](https://www.claytonorehek.com/wp-content/uploads/elementor/thumbs/Picture1a-q18su1e4vetc97z898nzt3vmnv2qt54bqwdldpdwm0.jpg)
![Picture2](https://www.claytonorehek.com/wp-content/uploads/elementor/thumbs/Picture2-q0qyse1wshz0xtubq8lutr89sfb1m9jdwymn9o8120.jpg)
![THREE STOPPAGES ( SCULPTURE WORK 2000 BY CLAYTON OREHEK )](https://www.claytonorehek.com/wp-content/uploads/elementor/thumbs/1000000060-1-q18dfwldui8xsyvz07osdfvzfcbu0u8z86zpa906s8.jpg)
“One critic wrote of my assemblages that they looked like a collision of Nikola Tesla’s and Rube Goldberg’s work. That was more accurate than I saw at first glance, the detritus, de-composed & re- composed into a titration of balance, a balance of surface, surface tension, light, shadow, colors, and materials. Another reviewer asked why use Light as a medium. I couldn’t answer that question instantly, but after consideration, I realized that the ephemeral nature of Light is what attracts me. Also, it enables all other art forms to be viewed and contemplated, except music which itself is also ephemeral.”